Edition of 10, signed and numbered, unframed, 766 x W580mm
The prints are derived from a photograph found in a book
on French Modernist gardens, an image of four concrete trees created by Joël
and Jan Martel for the 1925 "Exposition des Arts Décoratifs" in
Paris. This has emerged as an important reference for Boyce representing
"a perfect collapse of architecture and nature," emblematic of his
ongoing exploration of the oppositional elements of contemporary urban
existence: the natural versus the constructed, the populated versus the
uninhabited, and the old versus the new.
Giclee print on archival paper