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Susan Collis

For All the Things We Thought We'd Love Forever

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Paperback, colour and black and white illustrations, 59 pages, W150mm x H205mm

Collis' practice involves a subversion of time frame and visual perception through the manipulation of everyday objects. In the piece 'Paint Job', what initially seems like a collection of careless splashes and stains upon the fabric of utilitarian worker's overalls are, on closer inspection, meticulously stitched marks replicating the accidental and spontaneous moment.

 

Further to this, Collis enjoys playfully positioning the works in overlooked areas of an exhibition space, to heighten the potential for an initial misreading. We, the viewer, are then forced to rewire our visual and mental understanding of a particular mark, thus elegantly extending our viewing experience.

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